Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
This essay is adapted from my articles in Theopolis’s In Medias Res as a series of Holy Week meditations. Like many celebrities such as Kanye or Beyoncé or Adele, Josquin des Prez (d. 1521) was often known only by his first name, in his own time as now. “Josquin” is…
Sight is a major theme in the scriptures. The church has long identified sight’s relationship to the future fulfillment of the eschaton. As Paul says, “For now we see only a reflection as in a mirror; then we shall see face to face” (1 Cor 13.12). Sight is associated with…
What is the chief end of man? —yes, to glorify God and enjoy him forever. But how ought man–and all creation–so glorify him? I propose a Theopolitan addition to the catechism, question and answer number 1.5, begun in the last question and answered as follows: Earth’s inhabitants were created to…
Naphtali is a hind let loose: he giveth goodly words. Genesis 49:21 Frederick Buechner once said, “We move into the extraordinary by way of the ordinary.” In poetry, this happens by way of a compressed code of analogs; often, two or more very ordinary things begin to reveal something that…
The evangelical milieu of America has often lost a vision of the fruit of repentance. We tend to simplify repentance by asking for forgiveness. After all, Jesus tells Peter to forgive 70 times 7. This verse must be paired with Paul’s scoffing at the question: why not sin more so…
I. The hemorrhaging woman. En route to Jairus’ house, Jesus is touched by a woman with a hemorrhage of blood (Matt 9:18–26; Mk 5:21–34; Lk 8:40–48). The story is one that many of us know very well. She has been yoked to her illness for twelve years, all of her…
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1 Chronicles 11–12 form a unit, framed by references to David’s coronation ceremony at Hebron: A. Gathering at Hebron, conquest of Jerusalem, 11:1–10 B. David’s followers while a fugitive, 11:11–47 B'. David’s host at Ziklag, 12:1–22 A’. Coronation festival at Hebron, 12:23–40 11:1-10 is itself framed by references to “all…
I n a 2014 piece published in First Things , I offered a “wish list” for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism…
D ante is moving through the circle of the lustful (Comedy, Canto 5) and sees a host of classical lovers. Among them is Semiramis, less famous than Dido or Cleopatra, but an exceedingly important illustration of how lust misshapes language and law. Rodney Payton explains ( A Modern Reader’s Guide…
E xplaining the moral structure of hell in Canto 11 of Dante’s Comedy , Virgil lays out three general categories of sin: incontinence, malice, and mad bestiality (lines 83-4). That’s not quite what we expect, or what most commentators see. It seems more like incontinence, violence, and fraud. Incontinent sins…
R odney Payton ( Modern Reader’s Guide to Dante’s Inferno , 88–89) observes that “Dante’s vocabulary is rich in words denoting water,” including “the Italian words for water, river, little river, bog, marsh, stream, pond, slough, fount, and waves, at lest. In many cases the nouns are modified by adjectives…
A ntonio of Venice is inexplicable sad. So is Portia of Belmont, her “little body . . . aweary of this great world” ( Merchant of Venice 2.1). Antonio and Portia have all that they could want. They aren’t anxious about money; neither is pining for love. Why so sad?…
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