Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1. Come, Ye Thankful People, Come. This hymn by Henry Alford is found in many hymnals, including Cantus Christi . Yet, the last stanza radically contradicts the theological perspective of the historic faith and of the editors of this hymnal. It is a witness to how we tend to bounce…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 7. The Literary Shape of the Covenant As we have seen, there is a succession of covenants in the Bible, each more glorious than the previous, each absorbing and transfiguring…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 6. Covenant Phases in the Bible Thus far we have spoken of only three phases in the history of the one covenant. We must now divide the third phase into…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 5. Priest, King, and Prophet We can begin with the phrase “prophet, priest, and king.” This is the order normally heard from preachers and theologians. But it is not really…
This is a fine hymn by John Mason Neale, based on an ancient Greek church hymn. The opening question is particularly powerful: “Christian, dost thou see them on the holy ground, how the powers of darkness compass thee around?” Yes, the devil strikes in the very church and her worship…
This syrupy piece of marijuana-haze hymnody is found in the hymnals of churches that have substituted sentiment for orthodoxy and worship. Hence you don’t find it in older Presbyterian hymnals, but in the Trinity Hymnal. Nor do you find it in Episcopal and Lutheran hymnals until very recently in some…
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“R emember His wonders which He does,” the Levites sing when the ark is brought to Jerusalem (1 Chronicles 16:12a), doubtless referring preeminently to the wonders of the exodus but more distantly to the wonder of doing/making creation. At creation and in the exodus, God's wonders are the wonders of…
T oward the end of the rambunctious Paris Review interview , sometimes a meta-interview about the process of interviewing, Mark Helprin answers the question, Why do you write? As always, he answers circuitously, by contrasting creativity in pre- and modern art: . . . in a secular world, each artist…
I n a NYRB review of Anthony Gottlieb’s Dream of Enlightenment , Thomas Nagel corrects Gottlieb’s account of Hobbes’s moral philosophy. He lucidly summarizes Hobbes’s moral argument for absolutism: Hobbes’s theory, and what led to his being attacked as a moral nihilist, was his refusal to appeal to any concern…
I n his poignant, deeply personal New York essay on his distraction addiction, Andrew Sullivan reflects on the silence of sacred places: “From the moment I entered a church in my childhood, I understood that this place was different because it was so quiet. The Mass itself was full of…
M axwell Anderson’s forthcoming Antiquities surveys the world of antiquities, summarizing law, history of collection, the difference between the interests of archeologists and antiquities dealers, forgeries and their detection, the market in antiquities. Everything you’d want to know. Anderson places the rise of interest in antiquities in the context of…
S tuart Banner attempts to draw the fine line between investment and gambling in his forthcoming Speculation . Among other things, his book is a history of America’s double-mindedness about speculative investing. Visitors to the early US regularly made comments like this from German journalist Francis Grund: “An American merchant…
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