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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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Guilt and Guilt-Bearing

B rad Littlejohn presents a number of criticisms of my account of penal substitution in Delivered from the Elements of the World . I won’t attempt to address all of them, but focus—at once too briefly and at tedious length—on Brad’s central substantive question, which concerns guilt and Jesus’ guilt-bearing.…

September 20, 2016

Atomizing and Abstraction

I ’ve been reading commentaries on Revelation 1:12–20, learning a great deal, but getting increasingly frustrated. Even the best commentators sometimes fall into the twin faults of contemporary interpretation—atomization and abstraction. Let’s take the “robe” that Jesus wears. Many have suggested that the robe designates Jesus as a priest, but…

September 20, 2016

Beyond Language?

I n his Anchor Bible commentary on Revelation , Craig Koester says this about John's initial vision of Jesus: “ The figure’s appearance defies easy description: hair that is white like wool or snow, eyes like a flame of fire, a voice like rushing water, a face like the sun.…

September 19, 2016

Macbeth’s Three Murders

I n a contribution to Harold Bloom’s collection of essays on Macbeth , Robert Lanier Reid observes that ” Interpreters of Macbeth have focused almost exclusively on the first murder, the killing of a king in Acts 1–2, as the basis for understanding the play—its social, psychological, and metaphysical meanings.…

September 16, 2016

Motiveless Malignity

“W hat purpose do the Weird Sisters have for confronting the hero—or what is their masters’ purpose, if they in fact have such masters?” asks Susan Snyder in her contribution to Macbeth . She doesn’t think the play gives a clear answer, and she adds that the play doesn’t explain…

September 16, 2016

Macbeth and the Bible

P eter Milward writes of “meta-drama” in Hamlet and Macbeth in his contribution Shakespeare’s Christianity . He argues (unconvincingly) that Shakespeare had in mind the situation of recusant Catholics in England. Milward’s analysis of the biblical features of the play is more compelling. He notes that “already from the opening…

September 16, 2016

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