Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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B rad Littlejohn presents a number of criticisms of my account of penal substitution in Delivered from the Elements of the World . I won’t attempt to address all of them, but focus—at once too briefly and at tedious length—on Brad’s central substantive question, which concerns guilt and Jesus’ guilt-bearing.…
I ’ve been reading commentaries on Revelation 1:12–20, learning a great deal, but getting increasingly frustrated. Even the best commentators sometimes fall into the twin faults of contemporary interpretation—atomization and abstraction. Let’s take the “robe” that Jesus wears. Many have suggested that the robe designates Jesus as a priest, but…
I n his Anchor Bible commentary on Revelation , Craig Koester says this about John's initial vision of Jesus: “ The figure’s appearance defies easy description: hair that is white like wool or snow, eyes like a flame of fire, a voice like rushing water, a face like the sun.…
I n a contribution to Harold Bloom’s collection of essays on Macbeth , Robert Lanier Reid observes that ” Interpreters of Macbeth have focused almost exclusively on the first murder, the killing of a king in Acts 1–2, as the basis for understanding the play—its social, psychological, and metaphysical meanings.…
“W hat purpose do the Weird Sisters have for confronting the hero—or what is their masters’ purpose, if they in fact have such masters?” asks Susan Snyder in her contribution to Macbeth . She doesn’t think the play gives a clear answer, and she adds that the play doesn’t explain…
P eter Milward writes of “meta-drama” in Hamlet and Macbeth in his contribution Shakespeare’s Christianity . He argues (unconvincingly) that Shakespeare had in mind the situation of recusant Catholics in England. Milward’s analysis of the biblical features of the play is more compelling. He notes that “already from the opening…
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