Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the first post of this series, I proposed that the sacraments of baptism and communion are the nexus point for the evangelical and ecumenical movements. In the following post , I proposed a new orientation for ecumenism – a conciliarity of the cross – with the necessary confession of…
“Contextualization” is now, and has been for a long time, the buzzword for the day. 1 Missionary effort in non-Western countries is all about “contextualization” — making our communication of the Gospel, if not the Gospel itself, fit into the culture to whom we from the West speak. 2 There…
In my previous post , I highlighted the sacraments as the point of convergence between evangelicalism and ecumenism arguing that baptism and communion are presented in the New Testament as signs of the gospel that simultaneously enact and remember union with Christ and the unity of Christ’s body. I concluded…
Click HERE for Part I of this series. What does baptism have to do with culture? As I said in the previous essay, the short answer is “everything!” To begin with, baptism is baptism into Jesus’ death (Romans 6:3). Paul explains this as the crucifixion of the “old man” (“old…
In the accounts of our Lord’s nativity and early childhood, so familiar to us from many years of Advent and Christmas services, we often fail to recognize in them the gentle intimations of a greater nativity that is yet to come. The attentive ear, however, can discover in these passages…
Isaiah warns that Yahweh is coming to remove Judah’s leaders in every area of social, economic and political life so completely that there will be no one left to lead besides children (3:4) and women (v. 12). As Isaiah goes on, however, it becomes clear that the women of Judah…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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