Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Paul writes to Jews, “You who abhor idols, do you rob temples?” (Romans 2:22b) The English translation “rob temples” makes readers think of pagan temples. There was only one Temple for Israel, so robbing more than one would indicate other temples are in view. And if the Jews wanted to…
Two offerings Humanity’s first vocation involves guarding and serving the trees that emerge from the ground (Genesis 2:15). God provides these trees to humanity for food. A serpent appears and tempts the couple to eat from a special forbidden tree, the tree of the knowledge of good and evil. Humanity…
At the outset of the Torah (as Christians understand it), a triune God creates the heavens and earth over the course of a seven-day week. Why? What’s the connection between the three and the seven? Could a triune God have created the world over any period of time he chose?…
How relevant to the modern reader are the flying axe head of Deuteronomy 19:5 and the roof parapet of Deuteronomy 22:8? Indeed, how relevant were they to the daily lives of Israelites thirty-five hundred years ago? Suppose that accidental falls from rooftops were exceedingly uncommon in ancient Israel, or that…
1 For most of my life, the standing of the American church as a source of national social and political order was measured by reports from the front of the so-called “culture wars.” 2 Memory brings to mind battles over feminism and the ERA, so-called gay rights, the breakdown of…
But when Herod died, behold, an angel of the Lord appeared in a dream to Joseph in Egypt, saying, ‘Rise, take the child and his mother and go to the land of Israel…’ And he went and lived in a city called Nazareth, so that what was spoken by the…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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