Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Russian Orthodox liturgist Alexander Schmemann died in 1983, but his importance continues to grow, sometimes in surprising ways. A Russian transplanted to Paris and then to Crestwood, New York, he was an acute observer of the American religious scene. He possessed the clarity of vision the Spirit often grants to…
This is the fifth in a series of studies of Deuteronomy 22:3-23:8. "A bastard ( mazmer ) shall not enter into the assembly of Yahweh; even to the tenth generation shall none of his enter into the assembly of Yahweh" (Deuteronomy 23:2). [i] The translation “bastard” here for mazmer ,…
The Enlightenment project is very comprehensible in terms of the “Wars of Religion” that followed the Reformation. It's questionable whether all that is said about the Wars of Religion is entirely fair (R. J. Rushdoony’s Christian Survey of World History has some very helpful things to say about this). Still,…
The fourth in a series of studies on Deuteronomy 22:30-23:8. One wounded by crushing, or cut in the member shall not enter into the assembly of Yahweh (Deuteronomy 23:1. [i] The translation of this verse varies in different English versions. The basic idea is clear enough, however: a eunuch is…
Trinity House President Peter Leithart will give a lecture on violence at the 2013 Wheaton Theology Conference later this week.
The third in a series of studies on Deuteronomy 22-23. This continues the second essay, which examines Deuteronomy 22:30: "A man shall not take his father’s wife, and shall not uncover his father’s wing" (Hebrew: kanaf ). The Sin of Ham Another story would almost certainly occur to an ancient…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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