Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Jonah is Paul’s typological opposite. Indeed, in the whole Old Testament, it would be difficult to find a more perfect foil to Paul than Jonah. Whereas Paul crosses the sea to enact God’s saving purposes for the Gentiles, Jonah crosses the sea to avoid bringing Gentiles God’s mercy. For that…
Years ago, I realized that if my children wanted to feel like their house was a home, I needed to be intentional about making our physical shelter a place of spiritual refuge. I began to see the Holy Spirit as the indwelling person of the Trinity—the one who makes His…
When the crowds encircle Christ in Solomon’s Porch during the Festival of Dedication, they charge him: “tell us boldly who you are!” 1 They do not draw-up to him to with excited anticipation as they did earlier in the Gospel, 2 instead they flank him like a gang of wolves.…
1 In Deuteronomy 7:1-5, Moses wrote: When Yahweh your God brings you into the land which you go to possess, and has cast out many nations before you, the Hittites and the Girgashites and the Amorites and the Canaanites and the Perizzites and the Hivites and the Jebusites, seven nations…
Every Advent witnesses the gruesome reanimation of the voice that whispers “you know , Christmas is just a pagan holiday…” with that sort of conversational ellipsis that does not so much invite further reflection but halts and forecloses it. The claims are several and equally spurious: Jesus wasn’t born on…
Abraham's life in Genesis is a series of trials. He travels hundreds of miles from his family into a new land, flees from a famine into the hands of a king who takes his wife, and after returning, has to rescue his brother from a war. He's involved with two…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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