Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Stalker is a Soviet-era film by Andrei Tarkovsky in which an enigmatic location comes into existence either through an alien crash or a nuclear disaster; the film never makes it clear, but knowing Tarkovsky’s criticism of the spectacle nature of the alien motif after his own filming of Solaris and…
I was scrolling through Instagram on the night of Thanksgiving, the only one awake (as usual), coming down from my extrovert-high after all the conversation and merriment of the day, when I came across a post that stopped me in my tracks. The post contained a picture-perfect image of some…
The Theopolis Institute is pleased to announce the fourth round of the James B. Jordan Prize to honor outstanding doctoral dissertations in biblical theology. James Jordan is one of the most insightful biblical scholars of our time. The Jordan Prize exists to encourage more of the deep Scriptural investigation of…
Suppose I were to write three versions of a story. In every version, the first half of the book looks forward to the coming of the king. There are promises about him and about how glorious his kingdom will be, about how his kingdom will fill the earth with peace…
Introduction Doug Wilson’s American Milk and Honey is now available. There’s a great deal in the book worth commenting on, and I anticipate engaging with that material more broadly in the near future. In the lead up to its release, however, Moscow has not been silent concerning Israel, the Jews,…
Our telling of the Prodigal Son parable usually (and rightly) focuses on the runaway younger brother: the lost son returns, and his father joyfully and graciously receives him. But the full story has an additional element: an angry older brother. Jesus uses the older brother to rebuke the religious leaders…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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