Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
And He cried out with a loud voice, as when a lion roars; and when He had cried out, the seven thunders spoke their voices (Revelation 10:3). In Revelation 10 John sees Jesus come down to him from heaven with a little book in His hand. Jesus cries out with…
The numbers found in Genesis 5 & 11 display characteristics that indicate a complex and meticulous symbolic schematization operating at several levels. Because these numbers are so potent symbolically, unbelieving scholars have universally (as far as I know) treated them as artificial. Believers take them literally, but believers must also…
And the sixth angel poured out his bowl upon the great river, the Euphrates; and its water was dried up, that the way might be prepared for the kings from the east [sunrising]. (Revelation 16:12) The kings from the east in Revelation 16:12 are generally assumed to be enemies of…
During my brief sojourn as a pastor during the 1980s, I had several occasions to be involved in settling disputes between men in the congregation I served. A typical dispute went like this: Two men formed a company to do business. After a few years, the business went sour, and…
The two harvests of Revelation 14:14-20, of grain and of grapes, are most often understood as symbolic of God’s judgment against the wicked, or against Babylon, as amplified in chapters 16 & 17. Some commentators, however, notice that the gospels speak of the grain harvest as a reaping of the…
(Conclusion of Chapter 16 in the previous Biblical Chronology Article) Month 3, 2513 According to Leviticus 23:15-16, Pentecost was to be observed 50 days after the sabbath after Passover, or 49 days after the Feast of First Fruits. I initially based my reflections on the Jewish tradition that the Law…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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