Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
This month we begin to set down in order comments on all the calendrical and chronological statements in the Pentateuch (Genesis – Deuteronomy), gathering into one place all the fruits of our labors in this area. 1. The Days of Genesis 1 Despite the confusion and the tergiversations surrounding the…
Donald Wesley Patten, Catastrophism and the Old Testament: The Mars-Earth Conflicts (Pacific Meridian Publishing Co., 1988), reviewed by James B. Jordan. In this book, Donald Patten contends that the planet Mars originally had an eccentric orbit that brought it into near proximity to the earth a number of times in…
Last month we began a survey and review of Centuries of Darkness by Peter James. 1 The thesis of this book is that the dark ages that supposedly happened all over the Mediterranean world between about 1100 and 800 B.C. never actually happened, and that these dark ages, as well…
As we consider the Age of the Law, which begins with the public enthronement of Yahweh (the Second Person of God; the Son; the Word) on Mount Sinai and then in the Tabernacle, we need to consider the Ten Words. These are generally called the “Ten Commandments,” but that is…
Here, I begin presenting material and research that will, God willing, find eventual publication as Through New Eyes, Volume II. In Through New Eyes (part I) I sought in a general way to explain some of the symbolism and imagery of the Bible, showing that it is through such symbolism…
In 1971 there appeared a privately published book dealing with the problems surrounding the chronology of Egypt as it relates to the Bible: The Exodus Problem and Its Ramifications , by Donovan A. Courville. 1 At the time, Dr. Courville (Ph.D., Chemistry) was emeritus professor of Bio-chemistry at the School…
Showing page 281 of 309
Showing page 43 of 43
Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
Showing page 64 of 2212
Your weekly digest for all things Theopolis.
