Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Bible depicts Man’s transformation from beas t to priest in and through Jesus Christ. Two sets of people have their garments designed by God in the Torah: Adam and Eve and priests (of which the High Priest’s garments garner most attention). The first garment is beastly, while the second…
I became the pastor of Westminster Bible Church in Bowling Green, Kentucky soon after completing my Ph.D. in church history. On paper, it was the ideal church for me. Even the name, I thought smacked of my preferences: the Westminster Confession with idealistic Biblicism. I didn’t know it had been,…
Why do we believe in the resurrection of Jesus? It itself, it is utterly unbelievable, as the two disciples on the road to Emmaus also concluded (Luke 24:19-24). But why is it so unbelievable? Are there not many stories of a dead man or woman coming back to life? Stories…
In the first installment of this two-part essay, we provided a rough outline of a thick theological account of Christian hope. We concluded with mention of important critiques of such traditional views on hope, that by orienting Christians to place their ultimate hope in God and the future consummation of…
Dare we hope in the midst of “ negative world ”? The idea of the “negative world” has recently served as a helpful framework for many to come to terms with the fact that Western societies (particularly the United States) are aggressively turning against their Christian roots and moral values.…
In his prologue, Luke tells us that his gospel history is an “orderly account” (1:3). Although generally chronological, time is not the only or the main organizing principle for his history. To argue for Luke’s main theme would take up too much space, but instead I want to explore one…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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