Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Summary In what follows, I will consider the “year-stamps” employed in Scripture, i.e., statements of the form, “Such-and-such an event took place in the Xth year of Y.” In the process, I will suggest some ways in which the Biblical narrative might relate to events in the extra-Biblical world, though…
In the first essay on the parable of the Prodigal Son, I suggested that the problems commentators and others encounter in interpreting Jesus three-part parable are not accidental. These are not just problems in our ignorance of cultural background. They are intentional features of the stories —stories designed to poke…
The story of the Prodigal Son is perhaps the most well-known story in the Bible. As others have observed, it may also be one of the most misunderstood. In two short essays, I will point out features of this story that are commonly neglected, aspects of Jesus’ parable that might…
The parable of Lazarus and the nameless rich man is not an independent story. It is part of a long context that begins in Luke 15:1, where Jesus is eating with tax collectors and sinners and the scribes and Pharisees grumble. In response to their hardheartedness, Jesus tells a three-part…
The Bible is written so that even when a reader cannot pick up on what might be deeper or more detailed aspects of a text, there is virtually always a message to be heard. In the ancient world, where the “reader” of Scripture would likely be a church official facing…
The distinction between garden (or vineyard) and field begins in Genesis 2. This relates to the ordering of the formless world. Plants of the field are contrasted with the garden planted by God in Genesis 2:5&8. Later on, under the Old Covenant the Israelites will be required to keep their…
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Christopher Warner argues in The Augustinian Epic that Renaissance epic and medieval exegesis share two crucial features. First, both share an interest in history, but one that aims to peer behind the veil of fact into the allegorical meaning of facts. Petrarch’s epic of the Second Punic War and Tasso’s…
At the beginning of Revelation, the Spirit speaks to the seven churches. At the end, the voice of the bride and the voice of the Spirit become one, speaking a single wish: Come, Lord Jesus. By suffering with the Bridegroom, the bride learns His dialect. She becomes attuned to His…
Dennis Pardee’s Ritual and Cult at Ugarit collects texts that are relevant to Ugaritic cult, especially sacrificial cult. He ends the book with a helpful survey of the similarities and differences between Ugarit and the Bible. One of the differences has to do with the use of blood. “The blood…
The Lego movie has a cutting-edge social message, writes Ben Walters in The Guardian : “The film’s exuberant, kid-friendly larks – Wild West! Robot pirates! Unicorn kittens! Batman! – are laced with satirical digs at surveillance culture, built-in obsolescence and police brutality, as well as inane positive thinking. Its opening…
Gary Shteyngart writes in The Russian Debutante’s Handbook (2007): “A knowledgeable Russian lazing around in the grass, sniffing clover and munching on boysenberries, expects that at any minute the forces of history will drop by and discretely kick him in the ass. “A knowledgeable Jew in a similar position expects…
Sean McDonough’s YHWH at Patmos (1999) is a 250+ page book about a single verse, Revelation 1:4. Really, only one phrase of that verse: “He who is and who was and who is coming.” McDonough traces the pre-history of the phrase to the name Yahweh. More surprisingly, he finds precedent…
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