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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Abortion

PROLIFISM: A New Humanism

There is nothing good Satan cannot pervert, and that fact extends to the Christian public witness against abortion just as it applies to everything else. As a Christian who has written, marched, and picketed against legalized abortion since 1970, I have been saddened to see the development of the anti-Christ…

by James B. JordanApril 6, 1994
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Biblical Chronology

The Chronology of the Pentateuch (Part 2)

(We are discussing the meaning of the phrase "cutting off of days" in Genesis 4:3, showing that it implies the turn of the year in autumn.) Two passages use the term "cutting off of years" to refer to the lunar year, beginning in the Spring. Exodus 12:41 – at the…

by James B. JordanApril 6, 1994
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Haggai

The Wealth of Nations

In the second year of Darius, near the end of the feast of booths, the prophet Haggai encouraged the Jews of the restoration to continue their work on the temple by assuring them that “the latter glory of this house will be greater than then former” (Hag. 2:9). To this…

by Peter LeithartApril 6, 1994
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Biblical Horizons

A Theology of Ritual: Mapping the Territory

G. K. Chesterton began Orthodoxy by describing the plot of a book that he had never written. Taking a page from Chesterton, below I will briefly map out the territory of a book (or books) that need(s) to be written. Had I but world enough and time–and a small army…

by Peter LeithartApril 5, 1994
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Deuteronomy

Israel and Other Gods

As long as Moses lived, Israel seldom worshipped other gods directly. She broke the First Word by breaking the Second, worshipping God through the calf. As we shall see, God always treats such Liturgical Idolatry as Covenantal Idolatry, but it is far more serious because it is committed by those…

by James B. JordanApril 5, 1994
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Biblical Studies

The Holy City Revisited

In response to my article, " The Holy City " (in Biblical Horizons 55) James B. Jordan has made several suggestions about how I might expand on the ideas presented there. Several other readers have also contributed their insights. Below, I trace a few sketchy lines of thought. 1. The…

by Peter LeithartMarch 23, 1994

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Expression and content

Umberto Eco ( Limits of Interpretation ) criticizes Barthes’s notion that connotation occurs when “a sign function (Expression plus Content) becomes in turn the expression of a further content.” He argues that “in order to have a connotation, that is, a second meaning of a sign, the whole underlying first…

August 14, 2008

Fat Heart

Isaiah 6:10 says that Isaiah’s ministry will make the hearts of Israel “fat” and their ears “heavy” ( kabad ). The phrasing is unique to Isaiah 6, but the combination of heavy and fat conjures up Eli, who also was going blind. Isaiah 6 is a new Samuel, and like…

August 13, 2008
History

From Creator-creature to Subject-object

MH Abrams notes that at the heart of Romanticism was a transfer of Christian concepts into a new, subjectivist, context: “Much of what distinguishes writers I call ‘Romantic’ derives from the fact that they undertook, whatever their religious creed or lack of creed, to save traditional concepts, schemes, and values…

August 13, 2008

God-like Hirsch

Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we have: the historicized self. What…

August 13, 2008

Sacraments and texts

Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century science and commerce eagerly promoted. The process accelerated through…

August 13, 2008

Another hermeneutical parable

For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was Liszt’s original intention for the music. An industrious Liszt…

August 13, 2008

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