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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Acts

No One Dared Join Them

And through the hands of the apostles many signs and wonders were done among the people. And they were all with one accord in Solomon's Porch. Yet none of the rest dared join them, but the people esteemed them highly. Acts 5:12-13 When Grandma needed healing, her children knew the…

by Tim NicholsAugust 31, 2021
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How to Worship

Why Sacraments?

Like certain kinds of music, the unchanging rhythm of Aquinas's Summa gets into your bones. Read a few sections and it begins to run through your head. You start drumming your fingers, humming, swaying gently to the rhythm of Videtur-Sed Contra-Responsio, Videtur-Sed Contra-Responsio, “It seems-On the contrary-I answer.” The only…

by Peter LeithartAugust 26, 2021
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Biblical Chronology

The Embarrassment of Biblical Chronology

And Arpachshad lived thirty-five years, and became the father of Shelah . . . And Shelah lived thirty years, and became the father of Eber . . . and Eber lived thirty-four years and became the father of Peleg . . . and Peleg lived thirty years, and became the…

by James B. JordanAugust 24, 2021
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Hermeneutics

The Fall of Satan

Of course, the title should be something like, “The Fall of the Angel Who Came to be Satan,” but that and other more accurate titles are too cumbersome. The question is: who is Satan, and when and how did he become “Satan” (Adversary, Accuser) and the “devil” (slanderer)? By my…

by Ralph Allan SmithAugust 19, 2021
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Baptism

Baptismal Rain and the Feast of Booths

In The Oddness of the Feast of Booths , we saw that the Feast of Booths is a commemoration of the first encampment of Israel at Sukkoth (Booths) in Exodus 12:37, almost certainly the first celebration of the week of Unleavened Bread after the first Passover. The Feast of Booths…

by James B. JordanAugust 17, 2021
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Proverbs

An Antidote for Yuppie Postmillennialism

This piece was originally published in 1989. 1. The Blessed Hope "Looking for the blessed hope and the appearing of the glory of our great God and Savior, Christ Jesus." Titus 2:13 I was recently asked how I as a postmillennialist would preach on "The Blessed Hope." This is often…

by James B. JordanAugust 12, 2021

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Expression and content

Umberto Eco ( Limits of Interpretation ) criticizes Barthes’s notion that connotation occurs when “a sign function (Expression plus Content) becomes in turn the expression of a further content.” He argues that “in order to have a connotation, that is, a second meaning of a sign, the whole underlying first…

August 14, 2008

Fat Heart

Isaiah 6:10 says that Isaiah’s ministry will make the hearts of Israel “fat” and their ears “heavy” ( kabad ). The phrasing is unique to Isaiah 6, but the combination of heavy and fat conjures up Eli, who also was going blind. Isaiah 6 is a new Samuel, and like…

August 13, 2008
History

From Creator-creature to Subject-object

MH Abrams notes that at the heart of Romanticism was a transfer of Christian concepts into a new, subjectivist, context: “Much of what distinguishes writers I call ‘Romantic’ derives from the fact that they undertook, whatever their religious creed or lack of creed, to save traditional concepts, schemes, and values…

August 13, 2008

God-like Hirsch

Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we have: the historicized self. What…

August 13, 2008

Sacraments and texts

Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century science and commerce eagerly promoted. The process accelerated through…

August 13, 2008

Another hermeneutical parable

For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was Liszt’s original intention for the music. An industrious Liszt…

August 13, 2008

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