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Leviticus

The Theology of the Drink Offering

The drink offering or libation ( nesek ) is mentioned in only three places in the book of Leviticus. When the sheaf of the firstfruits was waved before the Lord, a grain offering was to be burned, along with "its libation, a fourth of a hin of wine [approx. one…

by Peter LeithartJuly 17, 2018
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Atonement

Limited Atonement & J. I. Packer

When I became a Calvinist it wasn't long before I learned that John Owen’s The Death of Death in the Death of Christ was regarded as the masterful treatise on what is known as "Limited Atonement"--the "L" in the TULIP mnemonic device for "the five points of Calvinism." This wasn't…

by Mark HorneJuly 12, 2018
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Hermeneutics

Bathsheba: The Real Story

One of the advantages of paying very close attention to the details in the Bible, especially chronological and genealogical details, is that they can shed light on situations that don’t seem to make much sense apart from them. One such situation is that of Bathsheba. It appears that Bathsheba willingly…

by James B. JordanJuly 10, 2018
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Leviticus

The Oddness of the Feast of Booths

The Feast of Ingathering in the seventh month of the Sinaitic calendar is also called the Feast of Sukkoth, of Booths, also called Feast of Tabernacles. I have usually called it by that last phrase, and it is the most common today; but there is a problem: A tabernacle is…

by James B. JordanJuly 5, 2018
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Matthew

A Universe Less Expanded

When Matthew’s Gospel was first read aloud to the fledgling Christian congregations, the experience must have been like seeing the words “A long time ago in a galaxy far, far away…” appear afresh on cinema screens in 1999. Yet, unlike The Phantom Menace, the New Testament did not disappoint. Why?…

by Mike BullJuly 3, 2018
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Art

Seeking Integration in a Fragmented World: Kintsugi Integration

Fragmentation and integration are phenomena which artist Makoto Fujimura feels bodily, and about which he is concerned profoundly. What do these mean for him? How may we draw his insights into this ongoing consideration—itself integrative—of integration in a fragmented world? Thus far I have been acquainting you with matters already…

by Esther Lightcap MeekJune 28, 2018

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Expression and content

Umberto Eco ( Limits of Interpretation ) criticizes Barthes’s notion that connotation occurs when “a sign function (Expression plus Content) becomes in turn the expression of a further content.” He argues that “in order to have a connotation, that is, a second meaning of a sign, the whole underlying first…

August 14, 2008

Fat Heart

Isaiah 6:10 says that Isaiah’s ministry will make the hearts of Israel “fat” and their ears “heavy” ( kabad ). The phrasing is unique to Isaiah 6, but the combination of heavy and fat conjures up Eli, who also was going blind. Isaiah 6 is a new Samuel, and like…

August 13, 2008
History

From Creator-creature to Subject-object

MH Abrams notes that at the heart of Romanticism was a transfer of Christian concepts into a new, subjectivist, context: “Much of what distinguishes writers I call ‘Romantic’ derives from the fact that they undertook, whatever their religious creed or lack of creed, to save traditional concepts, schemes, and values…

August 13, 2008

God-like Hirsch

Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we have: the historicized self. What…

August 13, 2008

Sacraments and texts

Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century science and commerce eagerly promoted. The process accelerated through…

August 13, 2008

Another hermeneutical parable

For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was Liszt’s original intention for the music. An industrious Liszt…

August 13, 2008

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