Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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JS Lawry says that Emma insults Miss Bates in an effort to liven up a dull party: “Like a virtuoso, she takes care that her art be equal to its occasions – but no more. Later, when a party seems dull, she will be brought to insult Miss Bates precisely…
David Southward suggests in a fascinating study of embarrassment in Austen’s novels, Emma “seems more concerned about ‘being looked at’ than she is about ‘doing wrong.’” When she holds a dinner party for the Eltons, it’s intended to avoid being “exposed to odious suspicions” that she is full of “pitiful…
David Southward suggests in a fascinating study of embarrassment in Austen’s novels, Emma “seems more concerned about ‘being looked at’ than she is about ‘doing wrong.’” When she holds a dinner party for the Eltons, it’s intended to avoid being “exposed to odious suspicions” that she is full of “pitiful…
Rousseau is not the only source of sentimentality in novels, the literature of sensibility. There are English resources, such as the free prayer tradition, which made spontaneity the test of sincerity. But Rousseau is one of the sources of this stylistic strategy, and a source that Austen would likely have…
Like Elizabeth Bennet, Emma Woodhouse’s desires for her man are awakened while exploring his property, Donwell Abbey with “all its appendages of prosperity and beauty, its rich pastures, spreading flocks, orchard in blossom, and light column of smoke ascending.” That this scene presents itself in Midsummer has been cause for…
Like Elizabeth Bennet, Emma Woodhouse’s desires for her man are awakened while exploring his property, Donwell Abbey with “all its appendages of prosperity and beauty, its rich pastures, spreading flocks, orchard in blossom, and light column of smoke ascending.” That this scene presents itself in Midsummer has been cause for…
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