Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Pneumatology, the doctrine of the Holy Spirit, is often formulated along dispensational lines. The Holy Spirit’s work in the Old Testament, we tend to think, was earthly, concerned with political and military leadership, while in the New Testament the Spirit’s work has to do with mediating salvation achieved by Christ.…
Homosexuality and the Love of Death Some years ago (September, 1980) Midge Decter published in Commentary one of the most illuminating pieces that I have ever seen on homosexuality. It was a very autobiographical piece dealing with her own summer vacation experiences on Fire Island off of New Jersey. When…
C. The Battle of Gog and Magog (Ezekiel 38-39) (continued for previous issue) A final corroboration of this interpretive hypothesis comes from what we might call the "Amalek Pattern" in the Bible. Note in Genesis 12-15 that Abram moves into the land after escaping Pharaoh (ch. 12), settles down and…
Speaking of the Church, Romans 11:16-17 says, "And if the root be holy, the branches are also. But if some of the branches were broken off, and you, being a wild olive were grafted in among them and became partaker with them of the root of the fatness of the…
But thanks be to God that though you were slaves of sin, you became obedient from the heart to that form of teaching (tupos didaskales) to which you were committed, and having been freed from sin, you became slaves of righteousness (Romans 6:17-18). In his study of the use of…
John Owen (1616-1683), Biblical Theology, or the Nature, Origin, Development, and Study of Theological Truth in Six Books, translated by Stephen P. Westcott (Pittsburgh: Soli Deo Gloria Publications, [1661] 1994), hardcover, 911 pages, $50.00. Here for the first time in English is one of Owen’s most important Latin works, along…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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