Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
What About Catholics? (continued) Usually, such people are not seeking graven images, but rather their idolatry is of a broader character. They are seeking a home on earth. Scott Hahn’s book is called Rome Sweet Home . This is the essential sin, for there is no home on earth. The…
Reading the earliest Christian apologists is like watching a movie in which the hero has the means to demolish his opponents in his grasp but never realizes it. The apologists come across as men not altogether aware of the radical character of the gospel they defend. In response to charges…
Then [Elisha] went up from there to Bethel; and as he was going up by the way, ne`arim came out from the city and mocked him and said to him, "Go up, you baldhead; go up, you baldhead!" When he looked behind him and saw them, he cursed them in…
Further Numerical Items of Interest Umberto Cassuto points out some other numerical factors in Genesis 5. 1 For one thing, he observes that every number in Genesis 5 is a multiple of 5, sometimes with the addition of 7. We have, in essence, made this point already. He also points…
Prostration God has designed the human body in a marvelous way, and Biblical religion is very physical. We believe in the resurrection of the body, against all pagan ideas of the immortality of the soul. We bury our bodies, not burning them. Human beings in their totality, including our bodies,…
Since Revelation is laid out in serieses of sevens, it is worth investigating to see if there is a series of seven after the seven libation-bowls of chapter 16. I believe there is, and it is the burden of this essay to expose it. The series of sevens, or heptamerous…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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