Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Now faith is the substance of things hoped for, the evidence of things not seen (Hebrews 11:1). The famous definition of faith with which the eleventh chapter of Hebrews opens has received a number of different interpretations. The crux of the problem is the interpretation of the words translated in…
This essay is an exploration of one element of the final of the four Gospels, the Gospel of John. My thesis is that the Gospel of John answers the issue of "friendship" being a homoerotic category. It challenges the "Greek Way of Love and Friendship" 1 It is indeed the…
"And I also way to you that you are Peter, and upon this rock I will build My church; and the gates of Hades shall not overpower it" (Matthew 16:18). Matthew 16:13ff. has historically been one of the most oft-cited passages of Scripture. Throughout the Middle Ages, it was used…
Matthew 8-9 records three clusters of miracles, interspersed with snatches of Jesus’ teaching about various aspects of discipleship. Just as the Sermon on the Mount displays the authority of Jesus’ Word in teaching, these chapters display the authority of Jesus’ Word over sickness, uncleanness, the creation, demons, and death. In…
The association of women and wells in the Scriptures has long been noted by theologians, a symbolism closely connected to marriage which begins in Genesis and climaxes in Revelation. There is a lesson drawn in the water of wells that I’d like to explore, but before that I must trace…
Of course, since the Israelites had agriculture, Solomon was not paleolithic as that term is used today. But "paleo" is simply a prefix meaning old or previous , the opposite of "neo." In that sense, I wonder if we might understand Solomon better if we interpret his statements and riddles…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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