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Writing

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Art

Toward a Biblical Definition of Obscenity

My copy of Webster’s New Collegiate Dictionary (1976: not so new, really) defines obscene as (1) "disgusting to the senses; repulsive" and (2) "abhorrent to morality or virtue; specif: designed to incite lust or depravity." Definitions such as this serve a useful purpose only when there is agreement on what…

by Peter LeithartMay 30, 1991
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Biblical Studies

The Abomination of Desolation, Part 1

An Overview Here begins a series of studies in the Abomination of Desolation, or Desolating Sacrilege. This month and next I shall set out an overview of what I regard as the best interpretation of the phenomenon. Later essays will look at it in more detail. (The original form of…

by James B. JordanMay 22, 1991
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Biblical Studies

Advice From a Sojourner, Part 12

29. There are three things that are stately in their march, Even four that are stately when they walk: 30. The lion is mighty among beasts And does not turn back before any, 31. The strutting cock, The male goat, And a king with his army around him. 32. If…

by James B. JordanMay 22, 1991
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Biblical Studies

The Chronology of Ezra & Nehemiah, Part 4

We have seen that it is likely that the Artaxerxes of Ezra-Nehemiah is the same as Darius the Great. If this solution be correct, and I think it is, possibly there is another problem in Ezra that can be resolved by it. In Ezra 4:6 we are told that "in…

by James B. JordanMay 22, 1991
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Biblical Horizons

The Weight of Being

Czech novelist Milan Kundera, though hardly a household name in the English-speaking world, has achieved a certain notoriety in America in recent years, largely on the strength of the English translation and film version of his novel, The Unbearable Lightness of Being. 1 The Unbearable Lightness of Being — the…

by Peter LeithartMay 6, 1991
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Proverbs

Advice From a Sojourner, Part 11

24. Four things are small on the earth, But they are exceedingly wise; 25. The ants are not a strong folk, But they prepare their food in the summer; 26. The coneys are not a mighty folk, Yet they make their houses in the rocks; 27. The locusts have no…

by James B. JordanApril 22, 1991

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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