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Art

The Second Word V: On Images and Art, Part 3

The Failure of the Church Yet a third factor played an important role in this historical development, in addition to the imperial adoption of icons and the rise of the icons of the holy man. Brown writes: "The great Christian basilicas of the previous centuries tended to stand empty, except…

by James B. JordanSeptember 4, 1998
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Biblical Horizons

Patriarchal Dominion

The three large patriarchal narratives of Genesis concern the three aspects of the cosmos: matter, space, and time. Over these three is man given dominion. Lucifer was originally appointed to train man in this dominion, but he chose to lead man into rebellion instead. Thus, the Angel of Yahweh replaced…

by James B. JordanAugust 4, 1998
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Biblical Horizons

The Case Against Western Civilization, Part 6

Part 6: Living in a Dying World (continued) The "Trivium" (continued) The five stages of education are simply the five stages of the covenant as God administers it in human life and history, and in the liturgy of covenant renewal: First, God announces Himself. "I am Yahweh Your God." He…

by James B. JordanAugust 4, 1998
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Biblical Studies

Re-creation in the Ascension Offering

The following essay is tentative and exploratory, offered for your consideration. It seems to me that the ritual of the Ascension Offering (incorrectly translated as Burnt Offering) of Leviticus 1 is a symbolic recapitulation of Genesis 1, which thereby portrays the sacrificial ritual as way of moving from a fallen…

by James B. JordanJuly 4, 1998
Biblical Horizons

The Framework Hypothesis: A Gnostic Heresy

Just as the vast majority of evangelical Christians in America today are Arminian and Baptist, so the vast majority do not believe in a creation around 4000 BC. I don’t expect any of these three situations to change anytime soon. Powerful presuppositions are at work in all three instances, along…

by James B. JordanJuly 4, 1998
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Art

The Second Word V: On Images and Art, Part 2

The Iconoclastic Controversy Continuing Pagan Influence How did images creep in? To begin with, there was in the post-Constantinian Church a concerted effort on the part of the semi-pagans to interpret Christianity in essentially pantheistic terms. The heretics put God and man on a continuum of "being," so that God…

by James B. JordanJuly 4, 1998

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Toleration Without Liberalism

W e Americans pride ourselves on our religious freedom absolutism. Officially, the U.S. permits all religious expression and prohibits none. In reality, the situation is more complicated, since the scope of “religious expression” has to be negotiated by American courts. Polygamy isn’t protected religious practice, for instance, and a Presidential…

April 26, 2017

Othello Off Pitch

T he Sam Wanamker Playhouse, a Jacobean theater in the Globe complex in London, seats 340 in three tiers, tightly crowded on backless benches. During performances, the stage is lit by candles burning from six chandeliers. Actors enter and exit within inches of the audience. During Othello a few weeks…

April 26, 2017

Mugabe and the Pastor

T he Mail & Guardian Africa reports on Zimbabwean pastor Evan Mawarire, who has inspired a nationwide resistance to Robert Mugabe and now faces sedition charges. In April 2016, Mawarire “draped Zimbabwe’s flag over his shoulders, logged on to Facebook and delivered a passionate appeal to his fellow countrymen. He…

April 25, 2017

House of Prayer

The Chronicler's account of the completion of the house of the Lord (2 Chronicles 5-7) is arranged in a fairly neat chiasm. A. Solomon finishes ( shalam ) work, 2 Chronicles 5:1 B. Solomon celebrates the feast in the seventh month, 5:2 C. Levites take ark into the house, with…

April 24, 2017

Malick's Hollywood

Terrence Malick has been on a filmmaking tear, most recently releasing Song to Song . He's back, but that hasn't dulled his skepticism about the film industry. Brett McCracken sees Malick's earlier Knight of Cups as, in part, a reflection of Malick's “complicated relationship with Hollywood”: “Malick’s critique of Hollywood,…

April 21, 2017

Disenchanted Marxists

Karol Berger argues ( A Theory of Art ) that Lyotard's famed distinction of modern and postmodern is “far too stark.” In fact we aren't faced with a simple choice “between a belief in universal history grasped by an all-explaining meta-narrative and a belief in a plurality of equally valid…

April 21, 2017

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