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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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Literature

Plus choses changent

Long before Greenblatt and the New Historicists, Shakespeare had been interpreted as a commentator on the religious or political circumstances of Elizabethan England. Among the interpretations of Hamlet summarized by Ernest Jones in his essay on Oedipus and Hamlet (first published in 1910!) are the notions that the play is…

January 25, 2006

Jesus’ Thoughts

Donald Macleod offers some intriguing insights in his IVP book on the Person of Christ: In many respects, Jesus’ human knowledge was like our own, as He learned about His Father through revelation: “his own capacity for such knowledge would differ significantly from that of ordinary men. But it would…

January 24, 2006

Jesus’ Thoughts

Donald Macleod offers some intriguing insights in his IVP book on the Person of Christ: In many respects, Jesus’ human knowledge was like our own, as He learned about His Father through revelation: “his own capacity for such knowledge would differ significantly from that of ordinary men. But it would…

January 24, 2006
Literature

Hamlet: Act 1

Still more. ACT 1, SCENE 1 Several things about the first scene are worth examining. First, the play begins on a cold and bitter night on the ramparts of Elsinore. The darkness provides a fitting setting for the revelation that the world is out of joint, that something is rotten…

January 24, 2006
Literature

Hamlet: Texts

More notes toward a lecture. Shakespeare’s Hamlet exists in three significantly different forms. The earliest published text, the First Quarto or the “Bad Quarto,” appeared in 1603. Though recognizably Shakespeare’s play, it is different in many significant ways, and scholars have speculated that it is the product of one of…

January 24, 2006
Literature

Hamlet: Sources

Some notes toward a lecture on Hamlet. When Shakespeare put the story of Hamlet on stage in the early seventeenth century, the story was already an old one. Saxo Grammaticus, a 12th-century monk, told the story of Amleth, Prince of Jutland in his Historiae Danicae. According to Saxo’s version of…

January 24, 2006

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