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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Poetry

Seed-bearing Fruit

Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…

by Marc HaysAugust 16, 2023
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Augustine

Eternal Life Chiasm in John's Gospel

In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…

by Doug PonderAugust 15, 2023
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Ruth

Lot, Ruth, and the Work of New Creation

“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…

by Josh JensenAugust 8, 2023
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Culture

The Barbie Movie

Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…

by Robin HarrisAugust 1, 2023
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Matthew

Why Does John the Baptizer Look Like a Camel?

“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…

by Jeff MeyersJuly 26, 2023
darwin
Literature

Stinking, Rotten Ministers of the Gospel

In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…

by Garrett SoucyJuly 18, 2023

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Age of Silver

D avid's plan for the temple is partly a floor plan. He gives Solomon the pattern for the “porch” and its associated buildings, treasuries, rooms, courts (1 Chronicles 28:11-12). The plan also includes instructions for organizing the priests and Levites (28:13a) and for the utensils of service for the temple…

March 14, 2017

Sources of Inequality

I n his recently-published The Great Leveller , Walter Scheidel summarizes evidence from archeology and anthropological studies to answer the question, Has inequality always been with us? The answer is: Sort of yes. Inequality is a constant in societies that farm and herd. But farming and land ownership weren't the…

March 14, 2017

Classicists and Romantics

D avid gives Solomon the “plan” (Heb. tabnit ) for the temple. Unlike Moses, David doesn't have to climb a mountain to get it (cf. Exodus 25:9, 40). It comes from “the spirit ( ruach ) with him” (1 Chronicles 28:12), and from a “writing” from the Lord that comes…

March 13, 2017

Nietzsche, Destroyer of Idols

I n an essay in the journal European Legacy , Norman Fiering summarizes the thought of Eugen Rosenstock-Huessy on biography. Fiering asks whether there are recurring patterns in the lives of significant individuals, and, relying on Rosenstock-Huessy, calls attention to moments of “conversion” (not necessarily religious) and “grace” (unexpected encounters…

March 10, 2017

Modernist Puritanism

I n his 1971 study of Modernist architecture, The Golden City , Henry Hope Reed observed that Modernists transferred moral categories to architecture. Buildings could be “honest” (if they revealed their structure on the surface) or “false” (if they hid structure under ornamentation). Purity was invoked regularly as a positive…

March 10, 2017

Happy Gothic

W hat is “the Gothic”? Answers vary, and that is, Catherine Spooner argues (in Post-Millennial Gothic ), because Gothic bears “multivalent meanings” and “has adapted and changed with the times” (9–10). This isn't a recent development: “After Gothic's initial phase of popularity fizzled out around 1820, it quickly renewed itself…

March 10, 2017

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