Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Matthew 8-9 records three clusters of miracles, interspersed with snatches of Jesus’ teaching about various aspects of discipleship. Just as the Sermon on the Mount displays the authority of Jesus’ Word in teaching, these chapters display the authority of Jesus’ Word over sickness, uncleanness, the creation, demons, and death. In…
Since the early 1980s, several of the conservative Reformed Churches have debated and wrestled with the issue of paedocommunion (infant communion). The PCA and the OPC assigned study committees to examine the question, both of which produced useful reports both in support of and against the position. Though the debate…
(This issue of Biblical Chronology concludes a discussion of the Biblical and Assyrian chronologies, begun in previous posts. Click on the category link of "Biblical Chronology" above to see previous issues. Did Shalmaneser Know Jehu? Allis writes: "The Black Obelisk of Shalmaneser contains, in addition to brief accounts of the…
Movies Movies as an art form have a powerful impact because they take place in a dark room, on a large screen, with no distractions, and because they entail many of the arts: music, acting, choreography, design and color, etc. A movie can be an overwhelming experience for a young…
The Hebrew word translated as "grain offering" or "cereal offering" is minchah . Like the translation of `olah as "burnt offering," the translation of minchah as "grain offering" is somewhat deceiving, since minchah does not refer to grain or cereal. In liturgical contexts outside of Leviticus, in fact, the word…
"He shall then skin the burnt offering and cut it into its pieces" (Leviticus 1:6). The normal word ( `olah ) that is translated as "burnt offering" and "whole burnt offering" has nothing to do with either burning or wholeness. It is the noun form of a verb meaning "to…
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Some of the following notes were taken from a longer introduction to Julius Caesar posted on this site some months ago. INTRODUCTION For several generations, Julius Caesar has been a staple of high school English literature, coming from a period when education was rooted in Greek and Roman classics and…
Paul Nickell’s 1951 Westinghouse Studio One production of Coriolanus is fast-paced, well-acted, and, making allowances for technological weaknesses, interesting and fun to watch. It is also very unlike the play that Shakespeare wrote. The play begins with plebs rioting (or milling around) in the streets of Rome, complaining about the…
The stage history of Coriolanus is as interesting as the play itself. It has provoked riots and demonstrations, and has been used as a way of preventing riots and demonstrations. Here are a few excerpts from RB Parker’s excellent introduction to the play (The Oxford Shakespeare): RIGHT-WING INTERPRETATIONS ?In reaction…
Glory and Song, 2 Chronicles 5:1-14 INTRODUCTION As we close out this brief series on worship, we will be looking at two separate but related issues: the glorification of worship, and music in worship. These are related in several ways: Music is itself a means of enhancing or glorifying worship;…
INTRODUCTION For Elizabethans, Rome was not only an ancient power but a very real contemporary power. The plays of Shakespeare that are set in Rome and those derived from Roman models often work in both registers, bringing papal Rome into plays set in ancient times. I will look at some…
I wonder: If we take Shakespeare’s Julius Caesar as a play about both ancient and Papal Rome, then the point seems to be that ecclesiastical imperialism is unavoidable, that it will take its vengeance and return in more virulent forms. The “puritans” like Cassius attempt to cut the head off…
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