Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
“What’s the fastest route” he asks me as we quickly come to a stop behind a sea of red brake lights. I pull out my phone and map all the options. Every way is red with traffic backed up. Deep down I must be a small town girl because traffic…
Dear Friend of Theopolis, I have signed a stack of documents in the years since we started Theopolis, but my heart jumped a few beats as I looked at the thick lease contract. “This is real,” I thought. “This makes it really real.” Theopolis has been real for nearly three…
In the Edenic world of Perelandra, from C.S. Lewis’s Space Trilogy, Ransom notices something about how the Green Lady treats the animals: [1] “There was in her face an authority, in her caresses a condescension, [2] which by taking seriously the inferiority of her adorers made them somehow less inferior…
In my previous two articles, I argued for the significance of the fact that baptism addresses our bodies in their objectivity. In the body, the self has an existence that runs deeper than our consciousness, decision, self-expression, and action. In washing our passive bodies, baptism seals us with an anticipatory…
Judah is a sinful nation, weighed down with iniquity. They are not the seed of Abraham, but the seed of iniquity. Their worship is abominable to Yahweh, because their hands are covered with innocent blood. They have not done good, or sought justice, or reproved the ruthless, or defended the…
Although we tend to define ourselves by our subjectivity —our perceptions, thoughts, feelings, decisions, actions—we are frequently forgetful of the objectivity of the self as body, the reality of the self that underlies and precedes all of our subjectivity. The body is the site of our ‘givenness’, where we are…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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