Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Building of the Temple Solomon began work on the Temple in the second month of his fourth year. This was the year 2993, a sabbath year. He finished in the eighth month of his eleventh year, the year 3000, also a sabbath. (1 Ki. 6:1, 38). This is said…
The Bible expresses its chronology not only in sequences of years, but also in sequences of sabbath years and jubilees. This enables us to make a cross-check of our chronology, and when we find apparent problems, to refine it. If our chronology is right, we should find some significant correlations…
Adele Berlin, Poetics and Interpretation of Biblical Narrative Sheffield, England: Almond Press, 1983. This volume is the ninth in the "Bible and Literature Series" under the general editorship of David M. Gunn. According to its author, who teaches Hebrew at the University of Maryland, the book is an effort to…
V. Propp’s classic work Morphology of the Folktale (University of Texas, 1968) argues that one of the basic structures of folk literature is "lack, lack liquidated." A king sets out to look for a wife, and the tale ends with a wedding. Often, the hero sets out on some business…
Luke’s gospel begins and ends in the temple. It opens with Gabriel’s annunciation to the priest Zacharias (whose name, appropriately, means "Yahweh remembers") of the coming of a forerunner. Zacharias is performing priestly service at the time. The book ends with the joyful worship of a new priesthood in the…
Last time we arrived at the year A.M. 3960 as the date for the inauguration of the New Creation through the death, resurrection, ascension, and session of Christ, and the sending of the Holy Spirit. We also saw that this is most likely the year of Paul’s conversion. Fourteen years…
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1 Chronicles 11–12 form a unit, framed by references to David’s coronation ceremony at Hebron: A. Gathering at Hebron, conquest of Jerusalem, 11:1–10 B. David’s followers while a fugitive, 11:11–47 B'. David’s host at Ziklag, 12:1–22 A’. Coronation festival at Hebron, 12:23–40 11:1-10 is itself framed by references to “all…
I n a 2014 piece published in First Things , I offered a “wish list” for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism…
D ante is moving through the circle of the lustful (Comedy, Canto 5) and sees a host of classical lovers. Among them is Semiramis, less famous than Dido or Cleopatra, but an exceedingly important illustration of how lust misshapes language and law. Rodney Payton explains ( A Modern Reader’s Guide…
E xplaining the moral structure of hell in Canto 11 of Dante’s Comedy , Virgil lays out three general categories of sin: incontinence, malice, and mad bestiality (lines 83-4). That’s not quite what we expect, or what most commentators see. It seems more like incontinence, violence, and fraud. Incontinent sins…
R odney Payton ( Modern Reader’s Guide to Dante’s Inferno , 88–89) observes that “Dante’s vocabulary is rich in words denoting water,” including “the Italian words for water, river, little river, bog, marsh, stream, pond, slough, fount, and waves, at lest. In many cases the nouns are modified by adjectives…
A ntonio of Venice is inexplicable sad. So is Portia of Belmont, her “little body . . . aweary of this great world” ( Merchant of Venice 2.1). Antonio and Portia have all that they could want. They aren’t anxious about money; neither is pining for love. Why so sad?…
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