Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I've pastored a very rural church for well over a decade. Our town has about 1,000 people and will never grow until Jesus returns. 38 people attend our worship on Sundays. Here's a quick list of what we’ve done to grow our church, and what I’ve done to survive pastorally.…
Thanks for sharing so honestly about your current crisis of creativity. I totally understand and relate to that; it’s happened many times in my musical life thus far, and I’ve begun to accept it as a normal rhythm of the creative process. I actually went through a serious dry spell…
The Broken Stones of Israel At Sinai, the tablets of the Law of Moses were broken and restored. The Old Testament is a history of “new covenants,” including that promised in Jeremiah and fulfilled in Zechariah. Ultimately, the vertical Oath and the horizontal Sanctions met in the death of Jesus…
Woe to the sinful nation. Woe to those who enlarge their estates and build their portfolios. Woe to the drunks. Woe to those who call evil good and good evil. Woe to the proud who are wise in their own eyes. Woe to Congressmen who pass unjust laws and to…
The interpretation of Romans 7:7-25 is notoriously difficult. Good scholars disagree on many aspects of the passage, but the central interpretative difficulty concerns the identity of the “I.” Is Paul referring to himself? Is Paul referring to himself pre- or post-conversion? Does the “I” refer to Adam? Is the “I”…
You board the Metra train at Arlington Heights station one afternoon, heading to downtown Chicago for some sight-seeing. As the train departs from the station, a man in jeans, a striped t-shirt, and a Kansas City Royals baseball cap enters your train car, and begins asking to see each passenger’s…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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