Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
An addendum to the earlier post on Romans. In my first essay, I pointed out how the role of the sin of Joseph’s brothers in bringing about Joseph’s exaltation in Egypt, and the resulting salvation of the world from famine, might show us and explanation to some of the distinctive…
When Paul wrote to the Romans, he was obviously writing a missionary support letter of a sort. One can read Romans 1.15 and then jump into 15.23 (“[S]ince I no longer have any room. . . .) without losing virtually any coherence. Yet into this letter he “dropped,” as it…
The Westminster Confession says that each passage has one meaning , not many, and that gets picked up on by lots of people who are suspicious of and do not like typological readings of Scripture. I will defer to wiser and more learned heads than mine as to exactly what…
By arresting, torturing, and killing Jesus, the authorities thought that they were securing well being and peace again in their society by means of the tried and true method of a single-victim scapegoat. Everyone’s thirst for violence will be satisfied and we can get on with the business of everyday…
This is the second in a series of essays on "Continuing the Reformation." In his important though sadly unavailable book, Calvin's Doctrine of the Church (Brill, 1970), Benjamin Charles Milner argues persuasively that in Calvin's view God's perfect order for His creation, an order that was to grow and develop…
Trinity House Fellow James Jordan recently gave a series of lectures in London on how to read the Bible. They are available online at NorthLondonChurch.org .
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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