Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
During one of my AAPC lectures I read a portion of Richard Mitchell’s provocative little book The Underground Grammarian . Here’s the portion I read: The mind is a rudderless wanderer blown here or there by any puff of breeze. If I mention watermelons, you must think of watermelons; if…
This is the donation thank-you essay for January 2008. Our studies in the Psalms go out month by month in response to donations. I’m putting this one up here as an example, and also because the version I actually mailed out contained several egregious arithmetical errors! So, here is the…
Part 1: Introduction The collapse of the Western tradition in the United States, seen in the hostility to Christianity in government and education, and the elimination of “traditional” or “canon” learning from our institutions of middle and higher learning, provides a crisis and an opportunity for serious believers at the…
While “forgiving oneself” is widely accepted in the secular world as a legitimate and needful thing to do, Christians are rightly suspicious. After all, God is the one who forgives. When we sin against other people, we need to seek their forgiveness, not our own. Nevertheless after looking at Vine’s…
This was originally published as HIStory in the column, “A Pastor’s Perspective” in Ligonier Ministrie’s Tabletalk Magazine . I am not sure of the date but it was probably published in 1999 or 2000. Quick! What’s the basic message of the Bible? Summarize it in as few words as possible…
A Brief Explanation of What a Presbytery Is & Why Pastors in Presbyterian Denominations are Members of Them A belief in the primacy of the local congregation of the Church, I think, reflects the gut feeling of most North American Evangelicals. As a result, the form of Church government universally…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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