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Biblical Horizons

Hymn Bark #5: Healing Bad Eschatology

1. Come, Ye Thankful People, Come. This hymn by Henry Alford is found in many hymnals, including Cantus Christi . Yet, the last stanza radically contradicts the theological perspective of the historic faith and of the editors of this hymnal. It is a witness to how we tend to bounce…

by James B. JordanSeptember 20, 2011
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Biblical Studies

Biblical Theology Basics: Part 7

This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 7. The Literary Shape of the Covenant As we have seen, there is a succession of covenants in the Bible, each more glorious than the previous, each absorbing and transfiguring…

by James B. JordanSeptember 16, 2011
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Biblical Studies

Biblical Theology Basics: Part 6

This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 6. Covenant Phases in the Bible Thus far we have spoken of only three phases in the history of the one covenant. We must now divide the third phase into…

by James B. JordanSeptember 8, 2011
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Biblical Studies

Biblical Theology Basics: Part 5

This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 5. Priest, King, and Prophet We can begin with the phrase “prophet, priest, and king.” This is the order normally heard from preachers and theologians. But it is not really…

by James B. JordanSeptember 3, 2011
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Biblical Horizons

Hymn Bark #4: "Christian, Dost Thou See Them' & "I Heard the Voice of Jesus Say"

This is a fine hymn by John Mason Neale, based on an ancient Greek church hymn. The opening question is particularly powerful: “Christian, dost thou see them on the holy ground, how the powers of darkness compass thee around?” Yes, the devil strikes in the very church and her worship…

by James B. JordanSeptember 1, 2011
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Biblical Horizons

Hymn Bark #3: It Is Well With My Soul

This syrupy piece of marijuana-haze hymnody is found in the hymnals of churches that have substituted sentiment for orthodoxy and worship. Hence you don’t find it in older Presbyterian hymnals, but in the Trinity Hymnal. Nor do you find it in Episcopal and Lutheran hymnals until very recently in some…

by James B. JordanAugust 31, 2011

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At the breast

The Torah never mentions breasts as an object of erotic fascination; they are solely nourishment for infants. In the wisdom literature, things are different. Solomon encourages young men to delight in the breasts of their wives - not of another, a strange woman (Proverbs 5) -, and in the Song…

February 14, 2013

Uncontained beauty

Solomon describes the beauty of his beloved in a neat and symmetrical poem in Song of Songs 7:1-6. Framed by “how beautiful you are” (vv. 1, 6), the poem describes ten features of her body. He starts with her feet and his gaze makes its way up. The ten features…

February 14, 2013
Literature

Books and Covers

The old adage applies in spades to the covers of Pride and Prejudice sampled in the NYTBR . Don’t judge the book by any of these covers, especially the Lady Godiva, the Twilight knock-off, and the “smokin’ bad boy Darcy” ones.

February 14, 2013

Concealed technology

Technology promises to accomplish the same things that have always been done more efficiently. Borgmann is skeptical ( Technology and the Character of Contemporary Life: A Philosophical Inquiry ) (45-46), and he summarizes George Sturt’s The Wheelwright’s Shop (Craftsman) to explain the notion of the “concealment” of technology, the fact…

February 14, 2013

Devices and Machinery

In his Technology and the Character of Contemporary Life: A Philosophical Inquiry , Albert Borgmann makes a crucial distinction between a technical device and its machinery. This is “a specific instance of the means-ends distinction” (43), the machinery being the means by which the device becomes useful to its user.…

February 14, 2013
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Literary Names

Claude Rawson’s review of Alastair Fowler’s Literary Names: Personal Names in English Literature focuses on names used to mock and deride. Swift, for instance, “attached enormous importance to naming and not being named (a characteristic Fowler incidentally identifies with Milton’s fallen angels). Swift scrupulously marked with an ‘X; every reference…

February 14, 2013

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