Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
When might the Gospel according to Matthew have been written? Of course, any answer can only be speculation, but that does not mean we are reduced to groundless opinion. In this series of articles I point the way to an approach different from the general consensus among scholars today which…
In my first essay on “synopticity” I offered a rather rough definition of the phenomenon and important, though not exhaustive examples. In this essay, I want to introduce broader aspects of the phenomenon of “synopticity.” The first example that I have in mind is conventional stories, stories of different historical…
Since the judgment of Babel was followed by the initiation of the circumcision, the impending end of the circumcision in AD70 explains the significance of the first century miracle of foreign tongues. Except for a few Aramaic “teasers” in the book of Daniel, the Word of God was monolingual and…
To the best of my knowledge “synopticity” is not a word used in theology or Biblical studies, but it seems an appropriate word to describe the kind of phenomena associated with the Synoptic Gospels, Matthew, Mark, and Luke. These three Gospels tell essentially the same story with significant — sometimes…
Humor is a funny thing. It is altogether familiar yet also mysterious. What makes us laugh? Why do we find things funny? There are academic fields of study dedicated to discovering what makes things humorous. These academicians even have a journal entitled International Journal of Humor Research . No joke.…
Out of all the characters in Geoffrey Chaucer’s The Canterbury Tales , the Pardoner has been called the “one lost soul.” The pious Parson, who closes out the collection of tales with a sermon on the seven deadly sins and how a sinner can absolve himself of them, connects the…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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