Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
And a great portent appeared in heaven, a woman clothed with the sun, with the moon under her feet, and on her head a crown of twelve stars; she was with child and she cried out in her pangs of birth, in anguish for delivery (Revelation 12:1-2). Then Joshua spoke…
In his post asking Ought we Anoint the Dying? Peter Leithart makes an excellent and important point about our suffering as members of Christ. However, he only parenthetically mentions that the verb in question in James 5 is not chrio but aleipho . By assuming that these words are interchangeable,…
We spend a lot of time in the church talking about what it means to live like a Christian. But what does it mean to die like a Christian? If we are to follow Christ in life, what does it mean for us to follow him in death as well?…
How would one go about answering the question posed by my title? That depends on what the question means. Obviously, different definitions of the question would require different approaches to an answer. Right off hand, I can think of at least three possible — though not necessarily mutually exclusive —…
In recent weeks and months, we have seen events that are not the event. The drama around these events is not the events themselves, but the anxiety about the events, and then even the anxiety about the anxiety about the events. That is the real event. The events in Ferguson,…
Anointing the sick, including the dying, is one of the traditional seven sacraments of the Catholic Church. The Reformers denied that the rite qualified as a sacrament. Formally, this was because anointing did not have a direct authorization from Jesus; more theologically, it was not one of the marks that…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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