Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
For years I have read little posts by fresh new Papal converts that assert that Luther, Zwingli, Calvin, etc., believed in the perpetual virginity of Mary. So did Turretin. Setting aside the question of whether these men believed that this notion was important or not — and Calvin, at least,…
The previous discussion led to several points that I’d like to take up in like to take up in more detail. For the sake of discussion, I’ll number them for ease of consideration. 1. Typological “evidences” for Mary as perpetual virgin, queen of heaven, etc. etc. I assert here that…
BMEV, or “Blessed Mary Ever-Virgin,” should not be an issue for any Protestant today, but clamor from various quarters means that we need once again to “get real” with the Biblical data here. Herewith is a reworking of a recent essay on the subject originally published in Biblical Horizons. Early…
When I hear from time to time of some young evangelical Presbyterian going into Roman Catholicism, I ask myself, “Why bother? You’re already in a church pretty much like what the Reformers rejected.” In the Medieval church, the congregation did little but watch while the priest and choir did everything.…
The “New Perspective” sheds light on what the New Testament means by the “mystery” of God. The mystery theme is quite pervasive in the apostolic writings, and shows up across genre lines, in the gospels, the epistles, and Revelation. One could even make a solid case that the revelation of…
THIS should be a link to the Sanctus I put together for use at the Biblical Horizons Conferences. Some churches have been using it also.
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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