Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Jamie Soles is the reason I know my way around a guitar. When my guitar teacher put the sheet music for Eine Kleine Nachtmusick in my fourteen-year-old hands, I balked. He gave me “Foggy Mountain Breakdown.” I learned half of it. At home, I ignored my teacher’s instructions and tugged…
This is a tough era for mothers. Regard for mothers, while it is always booming in some circles, is decidedly lacking in the prevailing winds of the milieu. In high demand by contrast is contribution to the work force, being a consumer, and basic economic survival, often as a solitary…
After the dark quiet of the year’s beginning, I return now to pick up the threads of my reflection on integration. This is my own personal inquiry, and for me it is no academic exercise but rather the forefront of my personal quest for the real. My hope is that…
The chiastic structure of The Hobbit we considered in the previous essay is highly suggestive of what might lie in store for The Lord of the Rings saga. It is undoubtedly the case that J. R. R. Tolkien was a literary craftsman. It may even be the case he is…
Structure plays an important part of any literary work, whether poetry or prose. It adds to the beauty and depth of the work and allows insight to be gained about what the author is trying to communicate. The question that concerns us here is whether or not there exists an…
Can we learn to communicate from an outside intelligence? Spoiler Alert! If you have not yet seen the movie, this article may provide you with a great deal more information than you wished to know at this point. Since the 1999 film The Matrix received careful scrutiny on many fronts…
Showing page 81 of 309
Showing page 6 of 43
When John first talks about sin, he connects it to fellowship and walking in the light. He does not say, “If we walk in the light, the blood of Jesus cleanses us, and as a result we have fellowship with one another.” He says, “If we walk in the light,…
Stallybrass and White critize Bakhtin for conceptualizing the fair purely as a place of communal celebration, ignoring the commercial activities of the fair: “In developing this concept, Bakhtin succumbs to that separation of the festive and the commercial which is distinctive of capitalist rationality as it emerged in the Renaissance.…
Stallybrass and White again: The classical form “was far more than an aesthetic standard or model.” It might be better to say that there was a classicist aesthetic at work in other areas besides art. In any case, the classical body “structured, from the inside as it were, the characteristically…
Peter Stallybrass and Allon White ( The Politics and Poetics of Transgression ) summarize a point from Bakhtin: “Bakhtin was struck by the compelling difference between the human body as represented in popular festivity and the body as represented in classical statuary in the Renaissance. He noticed how the two…
Theologians normally treat the incarnation-to-burial of Jesus as the humiliation of the Son; resurrection-to-ascension exaltation. That’s correct, but there are other angles too. God hid His face behind a veil from the time of Moses to the incarnation. This is His humiliation - we might almost say, a display of…
Andre Gide wrote: “Has anyone, in explaining Hamlet’s character, made full use of the fact that he has returned from a German university? He brings back to his native country the germs of a foreign philosophy; he has plunged int a metaphysics whose remarkable fruit seems to me ‘To be…
Showing page 1784 of 2212
Your weekly digest for all things Theopolis.
