Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
What happens at the Table of the Lord? If Christ is really present, then how is this so? The witness of the Church throughout history has been that Christ is present in the Eucharist through the operation of the Holy Spirit, and in the practice of the Church, prayers at…
In the power of the Spirit, the gospel forms a society in which there is neither Jew nor Greek, slave nor free, a society that is characterized by unity, long-suffering, patience; love. The gospel forms a culture whose participants do not steal but labor and give, who are not angry…
At the 1997 Biblical Horizons Summer Conference, the Rev. Jeffrey Meyers presented a series of remarkable lectures on the gospel of Mark. Among his many insightful comments, he suggested that the second gospel continues where the first gospel ends; Matthew ends with Jesus saying "Go" (Matthew 28:19), and Mark’s shows…
On October 25 at Avondale Brewery , Theopolis will be co-sponsoring the 2nd Annual Birmingham Life and Culture Series. This year's event will feature author Joseph Bottum. Joseph is known for his writings on literary criticism, religion, and his short stories. Essayist and reviewer Mary Eberstadt has said that "his…
One of the curiosities of the New Testament revelation is its focus on Galilee. The region of Galilee was given to Asher, Zebulun, Naphtali, and Issachar, and the events of Judges 4-8 occurred there, so it had some importance in Israelite history. But when the tribe of Ephraim led the…
In a recent post , Ian Paul discusses the practice of allegorical interpretation, reflecting in particular upon a conversation he had with someone concerning the reading of the story of Rahab. Paul’s interlocutor argued strongly for an allegorical reading of the Rahab story, writing: “Joshua is a type of Christ…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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