Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Stranger: Do you have to use so many cuss words? The Dude: What the f*ck you talking about? - The Big Lebowski There was a man I knew, an elder at his church, who, whenever he was called upon to announce a pregnancy, preferred the euphemism “with child” because…
I know what you’re thinking. Organ: funeral, ball game, grand dusty cathedral. Why should modern Christians of such a technological age revisit a thousand year-old instrument? Don’t worry, I will not be trying to punch another hole in my Weird Music Preferences and Opinions card here. The truth is, our…
Do things have natures? As I am posing the question, it is not simply a question of whether there are particular kinds of things in the world that have characteristic features, patterns of behavior, trajectories of growth and development. If that is what the word means, then the answer is…
We are excited to announce our 2016 Nevin Lectures featuring Father John Behr. Fr. John is the Dean of St. Vladimir's Seminary and Professor of Patristics, as well as the author of multiple works. He will be delivering three lectures over the course of two days dealing with "What Protestants…
New Year's Day makes one reflective, at least about the past year, perhaps about life, perhaps, more broadly, about time itself. Many view time as a curse. Some see it as a curse because of missed chances. As one day or year moves on to the next, all we can…
It seems a truism to say that we live in the world: that the world is outside of us. In reality the world is very much inside of us too. In fact the world passes through us as much as we pass through it. We breathe in its air, using…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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