Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Paul writes to Jews, “You who abhor idols, do you rob temples?” (Romans 2:22b) The English translation “rob temples” makes readers think of pagan temples. There was only one Temple for Israel, so robbing more than one would indicate other temples are in view. And if the Jews wanted to…
Two offerings Humanity’s first vocation involves guarding and serving the trees that emerge from the ground (Genesis 2:15). God provides these trees to humanity for food. A serpent appears and tempts the couple to eat from a special forbidden tree, the tree of the knowledge of good and evil. Humanity…
At the outset of the Torah (as Christians understand it), a triune God creates the heavens and earth over the course of a seven-day week. Why? What’s the connection between the three and the seven? Could a triune God have created the world over any period of time he chose?…
How relevant to the modern reader are the flying axe head of Deuteronomy 19:5 and the roof parapet of Deuteronomy 22:8? Indeed, how relevant were they to the daily lives of Israelites thirty-five hundred years ago? Suppose that accidental falls from rooftops were exceedingly uncommon in ancient Israel, or that…
1 For most of my life, the standing of the American church as a source of national social and political order was measured by reports from the front of the so-called “culture wars.” 2 Memory brings to mind battles over feminism and the ERA, so-called gay rights, the breakdown of…
But when Herod died, behold, an angel of the Lord appeared in a dream to Joseph in Egypt, saying, ‘Rise, take the child and his mother and go to the land of Israel…’ And he went and lived in a city called Nazareth, so that what was spoken by the…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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