Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
There is nothing good Satan cannot pervert, and that fact extends to the Christian public witness against abortion just as it applies to everything else. As a Christian who has written, marched, and picketed against legalized abortion since 1970, I have been saddened to see the development of the anti-Christ…
(We are discussing the meaning of the phrase "cutting off of days" in Genesis 4:3, showing that it implies the turn of the year in autumn.) Two passages use the term "cutting off of years" to refer to the lunar year, beginning in the Spring. Exodus 12:41 – at the…
In the second year of Darius, near the end of the feast of booths, the prophet Haggai encouraged the Jews of the restoration to continue their work on the temple by assuring them that “the latter glory of this house will be greater than then former” (Hag. 2:9). To this…
G. K. Chesterton began Orthodoxy by describing the plot of a book that he had never written. Taking a page from Chesterton, below I will briefly map out the territory of a book (or books) that need(s) to be written. Had I but world enough and time–and a small army…
As long as Moses lived, Israel seldom worshipped other gods directly. She broke the First Word by breaking the Second, worshipping God through the calf. As we shall see, God always treats such Liturgical Idolatry as Covenantal Idolatry, but it is far more serious because it is committed by those…
In response to my article, " The Holy City " (in Biblical Horizons 55) James B. Jordan has made several suggestions about how I might expand on the ideas presented there. Several other readers have also contributed their insights. Below, I trace a few sketchy lines of thought. 1. The…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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