Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Building of the Temple Solomon began work on the Temple in the second month of his fourth year. This was the year 2993, a sabbath year. He finished in the eighth month of his eleventh year, the year 3000, also a sabbath. (1 Ki. 6:1, 38). This is said…
The Bible expresses its chronology not only in sequences of years, but also in sequences of sabbath years and jubilees. This enables us to make a cross-check of our chronology, and when we find apparent problems, to refine it. If our chronology is right, we should find some significant correlations…
Adele Berlin, Poetics and Interpretation of Biblical Narrative Sheffield, England: Almond Press, 1983. This volume is the ninth in the "Bible and Literature Series" under the general editorship of David M. Gunn. According to its author, who teaches Hebrew at the University of Maryland, the book is an effort to…
V. Propp’s classic work Morphology of the Folktale (University of Texas, 1968) argues that one of the basic structures of folk literature is "lack, lack liquidated." A king sets out to look for a wife, and the tale ends with a wedding. Often, the hero sets out on some business…
Luke’s gospel begins and ends in the temple. It opens with Gabriel’s annunciation to the priest Zacharias (whose name, appropriately, means "Yahweh remembers") of the coming of a forerunner. Zacharias is performing priestly service at the time. The book ends with the joyful worship of a new priesthood in the…
Last time we arrived at the year A.M. 3960 as the date for the inauguration of the New Creation through the death, resurrection, ascension, and session of Christ, and the sending of the Holy Spirit. We also saw that this is most likely the year of Paul’s conversion. Fourteen years…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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