Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
21. Under three things the earth quakes. And under four, it cannot bear up. 22. Under a slave when he becomes king, And a fool when he is satisfied with food, 23. Under an odious woman when she gets a husband, And a maidservant when she supplants her mistress. The…
We have looked at the prima facie evidence for a short chronology in Ezra-Nehemiah, a chronology that assumes that the Artaxerxes of Ezra 7ff. and Nehemiah is in fact Darius. This month we examine the argument against the short chronology. There is only one argument, and that is that the…
The Priestly Genealogy Jeshua the high priest, who returned with Zerubbabel, was not a young man at the time. We know this because his father, Jehozadak, was taken into captivity (1 Chron. 6:15). Thus was 50 years before the decree of Cyrus (2 Kings 25:18-22, by implication). Jehozadak’s father Seraiah,…
Thomas C. Oden, After Modernity . . . What? Grand Rapids: Zondervan, 1990. Reviewed by Rev. Jeffrey Meyers. Reading Oden’s After Modernity . . . What? was tonic. There were passages that launched me out of my chair with a hoot to pace the office floor — of course, the…
Matthew records that Jesus "withdrew" to Galilee to begin His public ministry there after He "heard that John had been delivered up" (Mt. 4:12). Matthew’s typically matter-of-fact style veils the truly remarkable character of Jesus’ withdrawal. Matthew has been presenting Jesus as the Messiah, the Seed of Abraham and Son…
John Brown called this one of the most difficult passages in the entire epistle to the Hebrews, and Hebrews is no easy book. Several questions confront us as we read and meditate on these verses. First, in what sense did the Old Testament saints described in verses 4-38 not receive…
Showing page 298 of 309
Showing page 6 of 43
Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
Showing page 1785 of 2212
Your weekly digest for all things Theopolis.
