Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Over the past few days, quite the event has developed at Asbury University down in Wilmore, Kentucky. University students have appeared at the Hughes Auditorium to worship and sing praises to God, which has continued for over 90 hours at the time of this writing. There is recent reporting that…
It is well-enough known that Nero was emperor from AD 54 when he was just 16 until his death as a young man of 30 in AD 68, just 14 years later. Paul ministered during most of those 14 years (we are not sure which year he died), accomplishing 3…
When the apostle Paul says, “For me to live is Christ!” (Philippians 1:21), we do not find it difficult to understand. Paul had been a faithful servant of Christ from the time that Christ confronted him on the road to Damascus (AD 30) and through Ananias told Paul that he…
I think there’s a layer to the Song of Songs which has been largely unexamined. The Song is about Christ and his church, Yahweh and Israel, the nature of the marriage covenant, and the marriage of the couple in the Song. But while the Song is “of Solomon” (or to…
In Philippians 1:12-13, Paul informs his beloved brothers in Philippi that his Roman imprisonment — which one would naturally think hindered his ministry and the preaching of the Gospel — actually resulted in the surprising and wonderful progress of the Gospel. Of course, from our perspective 2000 years later and…
In a recent post , I explored the threefold order of creation—heavens, earth, and sea—and suggested that in Genesis 1 God stamps heaven’s order, his own threefold nature, on the creation, giving earth a trinitarian shape. So what happens to the three-level architecture of creation after Genesis 1? We don’t…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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