Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In Colossians 4:7-9, Paul tells the Colossian church that he is sending Tychicus and Onesimus to them. It is clear that they are to deliver the letter Paul has written to the church and that they are also to report to the church the details of Paul’s ministry in chains…
On the 11 th of April, 1985, the communist dictator Enver Hoxha breathed his last. It was the beginning of the end of communist Albania. After 40 years of being isolated from almost the entire world, the Albanian people started to see what life really looked like outside their borders.…
Karl Ove Knausgaard once reminisced about an author he referred to as “the man with his sweater tucked into his trousers” who, upon entering the room, would declare as if it was his creed, “I write because I am dying.” Knausgaard acknowledges this to be one reason among many why…
The Missing “It Was Good” The patterns and repetitions of Genesis 1 are well known: God speaks, it happens, and God sees that it’s good; names are given, and there’s evening and there’s morning: a day. But the patterns of creation, like the patterns throughout Scripture, are marked by variation…
And it is my prayer that your love may abound more and more, with knowledge and all discernment, so that you may approve what is excellent, and so be pure and blameless for the day of Christ, filled with the fruit of righteousness that comes through Jesus Christ, to the…
The Bible is a book about trees. We start in Eden with two trees, we end in the New Jerusalem with a single double-trunked tree, and the story hinges around the tree they nailed our Lord to. Seeing the Forest We find trees singled out on day three of creation.…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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