Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the books of 1 and 2 Corinthians, Paul refers to hardships in his ministry in Asia, specifically Ephesus (1 Corinthians 4:9-13; 15:32; 2 Corinthians 1:8; 4:8-12; 6:4-5; 11:23-25). However, the multiple imprisonments Paul mentions are not fully reflected in Luke’s account of Paul’s ministry — Luke only records a…
After all these months pondering integration, I have come to the point of believing that the dynamic of integration just is the real at its heart. Everything that is real or comes to be real is a dynamo of integrative coherence. I also believe it is true that the real…
Have you heard of Tom Holland? Not the young Tom Holland of Spiderman fame. No doubt you’ve heard of him. I’m referring to the middle age Oxford-trained historian who recently wrote Dominion: The Making of the Western Mind . (Both Hollands are British, so you’ll be forgiven for confusing them.)…
This article was originally published in 1990. (The essay that follows concerns a rather touchy subject: how the Lord’s Supper is to be done. I am not writing to insult or offend, but to challenge. To that end I have not "held back" but have "gone ahead" and said what…
This article was originally published in 1990. In Genesis One, God told Adam and Eve to "be fruitful and multiply, and fill the earth, and subdue it; and rule over the fish of the sea and over the birds of the heavens, and over every living thing that moves on…
On several occasions the gospels record Jesus teaching that only a few will be saved (Matthew 7:14, Matthew 22:14, and Luke 13:23). Careful readers of Scripture should begin to wrestle with how these passages found in the gospels fit together with other passages that teach that many will be saved…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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