Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1 Introduction ESTHER and RUTH are similar stories. Each details the changing fortunes of a young woman. Each begins with the protagonist in a destitute situation. The fortunes of each reverses by story’s end. Intriguing parallels exist: Scenes : The stories transition through a similar set of scenes, see Table…
Maybe this is not the best venue to reveal that I sometimes wonder about all that deep exegesis: the chiasms, the numerology, vowel modifications, the typological labyrinthes, the innumerable exodus patterns that are so often limned by Peter Leithart or James Jordan or Alastair Roberts. Maybe it’s because I am…
In 1923, J. Gresham Machen wrote the book he is perhaps most remembered for, “Christianity and Liberalism”. Machen wrote it to help map out the cultural currents that were impacting the church with the hope that the church could be vigilant against the dangers theological liberalism posed to historic Christianity.…
March 25, nine months before Christmas, is the date that is often associated with the Annunciation to Mary, Gabriel’s announcement to Mary that, by the coming of the Spirit upon her, she would conceive and bear the heir to David’s throne, whose kingdom would have no end. The story is…
Race and Covenant: Recovering the Religious Roots for American Reconciliation , edited by Gerald R. McDermott (Grand Rapids, MI: Acton Institute), 278 pp. A group of notable thinkers gathered to discuss biblical resources for addressing racial conflict in America in February 2019 at Samford University in Birmingham. Race and Covenant…
“Covenant Creationism,” which might be the most consistent brand of full preterism, is merely dispensationalism turned inside-out. The main cause of disputes over the interpretation of the Scriptures is the practice of interpreting texts in isolation. This applies not only to interpreting a passage without reference to other passages, but…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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