Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The first quotation at the heading of PART 1 is from J. D. Unwin's Sex and Culture, a 676 page volume published in 1934. The second quotation is from a lecture given by Freud at the University of Vienna, and it parallels the theme of his book, Civilization and Its…
Sometimes a man has been heard to declare that he wishes both to enjoy the advantage of high culture and to abolish compulsory continence. The inherent desire of the human organism, however, seems to be such that these desires are incompatible, or even contradictory. Any human society is free to…
Genesis 2:5 says that no shrub yet existed in the earth and no field plant had sprouted for two reasons. The first is that "Yahweh God had not caused rain upon the earth," and the second is that "there was no man to serve the soil." Then v. 6 explains…
This hymn was written by Brian Daigle and is based on the Epiphany lectionary readings. It follows the tune of "We Three Kings." Brian is Headmaster and teacher at Sequitur Classical Academy and Director of Chesterton College . Brian lives in Baton Rouge with his wife, Lauren, and their three…
As a rite of command performance worship, danced before the throne of God for His pleasure, the Church Year is a form of covenant recital or covenant rehearsal. The recital of the covenant in Scripture takes two forms. The first is the recounting of the great acts of redemption that…
The recent developments of the #metoo and #churchtoo movements has shed new light on sexual assault in the United States. Its impact has been felt at the highest court in the country. Amid this, a new statement distinguishing the gospel from social justice was published by some within conservative evangelicalism.…
Showing page 82 of 309
Showing page 6 of 43
Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
Showing page 1785 of 2212
Your weekly digest for all things Theopolis.
