Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
We've all heard it, too often to count. The Apostle Paul was a misgynistic homophobic pro-slavery authoritarian, probably a repressed homosexual himself, the first Puritan - Puritan here defined as "someone who cannot sleep if someone in the world is having fun." To call this a caricature is too generous.…
Some of our forefathers believed in reading/singing the psalms in order. Today, when the psalms are even used at all, they tend to be used randomly, though sometimes tied to a church calendar or to the pastor’s sermon. The Bible does not bind us to any particular practice, but there…
". . . and all drank the same spiritual drink, for they were drinking from a spiritual rock that followed them; and the rock was Christ" (1 Corinthians 10:4). Paul’s passing comment about the rock that followed the Israelites in the wilderness has often been treated as a bit of…
The story of Hezekiah’s illness and recovery is familiar to every child who has attended Sunday School. Informed that he would die, faithful King Hezekiah pleaded in tears for a longer life. God heard his prayers and saw his tears, and promised fifteen more years. As a sign that He…
When viewed as an allegory of biblical history, the controversial third act of Danny Boyle’s gripping sci-fi adventure is transformed from an illogical divergence into a blinding revelation. The following analysis contains spoilers for the movie “Sunshine.” The Creation Week is the elementary type that orders everything God has said…
In my last post , I told you the story of my current desire to understand philosopher D.C. Schindler’s metaphysical work. With this post, I start in to the venture. I begin by reflecting on what it is to be a thing. This matter always makes me laugh, and makes…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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