Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
A couple years ago, I read Paul Graham’s ruminations on higher- and lower-level languages in Hackers and Painters . Although he’s talking about computer languages, his insights have bearing on biblical language and hermeneutics. So bear with me while I lay out some of the basic points, and then we’ll…
Toward the end of the Revelation, John sees a vision of a new heaven and a new earth. The old created order in Adam has passed away, and the new order under the lordship of Jesus has been established. Within this new creation John also sees “the holy city, the…
I have been talking with you about integration—an elusive, allusive, word, pregnant with something we long for. I have suggested that what might be rightly a natural longing has been exacerbated by our own modern Western milieu’s dominating devotion to bits and bytes, a prevailing sense of fragmentation. Fragmentation is…
Sunday morning found me kneeling at the foot of my bed, trembling, pebbles of sweat leaping off the edge of my brow and nose, and hitting the floor in front of me, but not from piety was I procumbent; though as a minister for over a decade, I had made…
In April of this year, President Trump issued a zero-tolerance border policy that separated families, specifically children from their parents who had crossed the USA/Mexico border be it illegally or as asylum seekers . In mid-June, Trump dropped this policy of splitting up families, however there are still children who…
During the Middle Ages, Joseph, the husband of Mary, was the butt of many jokes. Medieval theater and art often depicted him as something of a buffoon, decidedly marginal to the gospel story. In part, this was the unfortunate obverse of the exaltation of Mary; any man would suffer by…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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