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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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evangelists
Matthew

Dating Matthew, (Part 1)

When might the Gospel according to Matthew have been written? Of course, any answer can only be speculation, but that does not mean we are reduced to groundless opinion. In this series of articles I point the way to an approach different from the general consensus among scholars today which…

by Ralph Allan SmithNovember 22, 2016
hebrew-manuscript-3
Hermeneutics

Synopticity, (Part 2)

In my first essay on “synopticity” I offered a rather rough definition of the phenomenon and important, though not exhaustive examples. In this essay, I want to introduce broader aspects of the phenomenon of “synopticity.” The first example that I have in mind is conventional stories, stories of different historical…

by Ralph Allan SmithNovember 17, 2016
screen-shot-2016-03-31-at-9-32-11-am
Ascension

Brexit and the Binding of Satan, Part 4

Since the judgment of Babel was followed by the initiation of the circumcision, the impending end of the circumcision in AD70 explains the significance of the first century miracle of foreign tongues. Except for a few Aramaic “teasers” in the book of Daniel, the Word of God was monolingual and…

by Mike BullNovember 15, 2016
four-evangelists
Hermeneutics

Synopticity, (Part 1)

To the best of my knowledge “synopticity” is not a word used in theology or Biblical studies, but it seems an appropriate word to describe the kind of phenomena associated with the Synoptic Gospels, Matthew, Mark, and Luke. These three Gospels tell essentially the same story with significant — sometimes…

by Ralph Allan SmithNovember 10, 2016
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Humor

Learning to Laugh

Humor is a funny thing. It is altogether familiar yet also mysterious. What makes us laugh? Why do we find things funny? There are academic fields of study dedicated to discovering what makes things humorous. These academicians even have a journal entitled International Journal of Humor Research . No joke.…

by Bill SmithNovember 8, 2016
chaucer
Literature

Flawed Means of Grace: Liturgy in The Pardoner's Tale

Out of all the characters in Geoffrey Chaucer’s The Canterbury Tales , the Pardoner has been called the “one lost soul.” The pious Parson, who closes out the collection of tales with a sermon on the seven deadly sins and how a sinner can absolve himself of them, connects the…

by Christian LeithartNovember 3, 2016

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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