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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Apologetics

Christianity: Who Needs It?

Evangelistic Message to the Uninformed: 1 Timothy 3.14-16 Even though this is written as a sermon for delivery, and even though it was preached in a homiletics class, I decided I can’t post it as a sermon because it was not truly preached at a place where nonchristians wanted to…

by Mark HorneMay 7, 2024
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Acts

Jesus’ Post-Resurrection Appearances

If we only read the Gospels of Mark and Luke, we might get the impression that Jesus’ ascension was on resurrection Sunday. Matthew speaks of going to Galilee but he does not put things into a clear time frame. John shows us that Jesus appeared to the disciples eight days…

by Ralph Allan SmithMay 1, 2024
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Biblical Studies

The Bible and Western Literature

The most cursory glance at the history of Western literature reveals that it has been deeply influenced by the Bible. Some of the greatest classics of Western literature draw their plots, characters, and ideas largely from Scripture; Dante’s Divine Comedy and Milton’s Paradise Lost are two of the most notable…

by Peter LeithartApril 24, 2024
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Biblical Theology

Inglorious Bastards

Few themes emerge as profoundly and persistently in the streams of biblical narrative as the conflict between light and darkness, and the juxtaposition of humanity with monstrosity. These themes not only weave through the fabric of Scripture, emerging in stories from Genesis to Revelation, but also stitch together the human…

by Kyle LammottApril 17, 2024
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Luke

Mary Magdalene: Sister, Sinner, Saint

In John Wenham’s work, Easter Enigma , he devotes an entire chapter to Mary Magdalene, which is rephrased and summarized here. 1 One of the interesting things that Wenham said was that Mary Magdalene was the second “most favored woman in the Bible.” 2 He adds, “Yet apart from a…

by Ralph Allan SmithApril 9, 2024
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Daily Mutual Encouragement

God made man to live in a larger relational context, and even in high rebellion, man cannot escape his created nature. Instead, that nature takes revenge on rebellious man. Autonomous and alone, the self craves absolution but recognizes no authority that might give it; it thirsts for glory but rejects…

by Tim NicholsApril 4, 2024

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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